050 .- Heaven Shall Burn - "Iconoclast" ... since I got at the time its already (for me) immortal "Antigone", I have some devotion to these Germans, to the extent that I gave myself the task of all his official discography, as far as possible, almost I have accomplished my mission and, of course, as soon get something new to the market, I consider a must have a copy of that material. In "Deaf To Our Prayers" proclaimed it as another wonder of the genre of which are practically living emblems-the 'metalcore' hooked on 'death metal' melodic, and he hoped his latest contribution, so defiantly titled (not any call "iconoclast" to anyelata "legend" as the English Association, which has almost two decades to the best of them. I, who I have followed the trail from the beginning (when they broke into the panorama of the still nascent death metal world through "Subconscious terror"), I can claim to have had their ups and downs but have never been characterized as the type of musicians who end up sending his followers to the devil, so when one of them is a CD of this agency "blessing", he knows what is to be found in the same ... and well, in a way that has happened to his return to the scene, after seven long years of apparent silence is 'death' primitive to give and give, but with great feeling 'punk / hardcore,' and no, not that is alien totrend that they have always followed fervently (in the UK is somewhat difficult to separate a scene from another, and ultimately, particularly in so far this century, there is a brotherhood among the representatives of a faction with their counterparts .) How can this further noted that now points ...? With the inclusion of their own interpretations of classic 'crust-hardcore' of the likes of "Seeing Through My Eyes, Broken Bones, and" Largactyl "the AMEBIX (the latter involved, somewhat hilarious, Karl Willetts-BOLT THROWER-and-Kelly Shaefer of Atheist-), which give an idea of the direction they wanted to seize on this occasion. Continue, therefore, be unadulterated its proposal, but the sentiment has changed, and that pDevil's Thunder "... Dani Filth promised that in this, their eighth opus sonic again sound the" cradle of filth "as in the era of" Cruelty and the Beast ", and well, that many would deem impossible (since the "Damnation and a day", the British have preferred that his concept is no longer relates to the 'black metal', if not 'metal' Gothic 'extreme'), but, somehow, has met his word. There are moments in this ode to Gilles de Rais (the serial killer - or "vampire" historic? - who was responsible, directly and indirectly, the murder of about a thousand of infants in France post-"War hundred years ") with astonishing firmness, but continues to give to certain" external pressures "and pouring into the syrupy ending one more timeLXC 043 .- Destruction - "DEVOLUTION" ... since Marcel Schirmer (aka "Schmier") returned to make Mike Sifringer dumbbell, this Teutonic force (part of the "holy trilogy" of the area from which they come) has made us forget the enormous debacle was immersed the concept (which is now known as "Neo-Destruction"), and has carved its own destiny, which was built respecting the "Cracked brain" to atrpas, although sounding revitalizadísimos. This "DEVOLUTION" (an acronym formed by the first letter of the title of each of the ten songs in it) is like the best of "All hell breaks loose," "Metal Discharge" and "Inventor of Evil", but is not at the height of "The Antichrist", much less than, for example, "fr Releaseom agony, "therefore, leaving aside passion, we can identify this" return "like a successful piece to round out the complete catalog of the dolmen to 'thrash metal', and that goes with that unblemished mark which has known keep from re-animating a decade ago ... point ...
042 .- Facebreaker - Dead, rotten and hungry "... and, as well as 'thrash metal', the to honor favorite genre in its purest form, is the 'death metal' in the last five years has carried out an explosion of serious projects or bands that try, with varying success, to emulate what the great (gone or not) in the late 1980's / 1990's pincipios made. Roberth Karlsson-ex-PAN.THY.MONIUM, ex-EDGE OF SANITY, ex-Incapacity, ex-SOLAR DAWN, ex-DARKIFIED-together people who played in the Ashes, has set itself the mission to be an integral part of this movement as prostrates times pasts, and has released a very malicious outrage in this process, which uses the most laudable of the elementary stage of that style, and does not provide one iota of whimsy to the equation. Yes, I know there are others in the same frequency, and even have done better ... and before ... But this "dead, rotten and hungry" has coaxed me completely, and for this there is no cure ...
Mourning Beloveth 041 .- - "A disease for the ages" ... seems like yesterday when, as I complainor had doubts that its fourth orchestration was masterly caliginosa ... and that is, although much more. I can not stop referring to this sickly wonder as one of the most troubled, pricked, gloomy, grieving, grim, taciturn, sinking, gloomy, dark and blast CD's of this new millennium, and if an event could serve as a synthesis reaction in me that caused this "unwillingness of the ages" is nothing more than gustaía me to know that the day they perform the ceremony of my funeral, will be the background "The sickness" along with other fine selections which I have stigmatized forever. Fear is not worth the death of each ... must be adhered better to the inevitable, and if this is supported by chants asparsimonious and bleak, what better ...
... ohhh, yeah ...!
sixty ... and go ... ... missing only forty more ...!
Atte. Introtionis (lover of good music).
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